在这样的语境下，如果速度过快，这种重量就会消失，音乐会变得过于“正常”，而这是我不希望发生的。当然，速度也有边界，不能慢到失去乐句的线条和整体的流动性，但这个界限在哪里，很大程度上取决于个人的判断，以及他自身对时间和节奏的感受。
Dutton and Painter argue that this trauma bond helps explain why people can feel magnetised back to relationships that are objectively bad for them – because the mix of danger and affection is familiar, not because it is healthy.
。业内人士推荐夫子作为进阶阅读
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甚至还有一些讲究「降本增效」的防窥膜，只蚀刻纵向光栅，导致只能左右防窥、上下或者斜视看过去依然是一览无余的：